Luke Miller/Lotus

Luke Miller, Guitar/Keyboards LOTUS

I got a chance to sit down and talk to Luke Miller from LOTUS when they performed at the Belly-Up Tavern in Solana Beach, CA.

ShakedownNews: You guys all met in Goshen, IN

LUKE: Yeah, Jesse and I were in college around 1992 and we met and started playing together there.

SN: The last album has pushed the electronic envelope a little more with the new album. Where did that come from?

LUKE: Yeah, you know we always want to make something new and not make the same album over and over. We recorded a lot of material for this album and the ones we thought worked together the best had that electronic theme. There’s a few that are more organic like “In and Out Lines” and “Orchids” but it was something we tried out using more hip hop tempos and using more synth/bass and stuff.

SN: A lot of your early success was all about the light show. You’ve incorporated the “6th Man” as an integral part of your show?

LUKE: We’re a band that doesn’t have a vocalist. We try to integrate that visual show to enhance the intricate nature of our music.

SN: What’s your personal inspiration musically? Who do you look back on and go…THAT GUY!

LUKE: I didn’t have that one idol or anything. I guess for me playing guitar or keyboards it was a means to an end. The end being the total song. So I guess the specific players I liked were the ones that fit in to the groove but weren’t flashy or amazing. For drummers, I really like Mike Clark who played on Herbie Hancock’s fusion albums. He had a really unique style. Guitarists, I guess David Byrne and his rhythms he created. More jazz than blues.

SN: What’s the future for Lotus? You’ve reached that 11 year mark where you’re at a pinnacle moment for a musical career. What’s next?

LUKE: We kinda feel like we’re on the verge of another break out. I feel like, with this last album, I think, we called it LOTUS because it took us a long time to get to that point of self titled album. I think we’re at that moment where we can break through to a larger fan base who’ve never heard us before. If that doesn’t happen we’re just happy to be able to do what we do.

SN: You, like many jambands, allow taping of your shows…free sharing…

LUKE: You know that art has totally died out. It was not passed on generation-wise.

SN: The art of taping?

LUKE: People who show up to tape are in their late 30s early 40s. When we first started we’d have 50 tapers. This last tour I think we’ve had like 1 or 2 tapers per show. We have an open taper policy but it’s rarely used.

LUKE: Are you a Grateful Dead fan?

SN: There was a time when I was a Dead fan. I’m not quite old enough to have fully got on the Dead “bus” but I still really do appreciate some of those old albums, American Beauty/Workingmans Dead with the amazing songwriting.

LUKE: Are you more of a Phish guy?

SN: Yeah, I listen to Phish but lately I’ve been really just into listening to NPR and not really music at all.

Thank you so much for taking some time to talk to me. Have a great show and a great rest of the tour.

Many thanks to Luke and Lotus!!

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“Next time it’ll be in a theatre,” stated a random friendly last Saturday evening in the pint-sized Sullivan Hall deep down on Manhattan’s Lower East Side.

Filled with equal amounts tie-dye and anticipation, the 300-person club was straight-up sold out for a performance by the John K Band. Helmed by former Dark Star Orchestra and current Furthur lead guitarist John Kadlecik, the band plays sporadically in-between Furthur dates mostly in a small radius around Kadlecik’s home base in Maryland. The laid-back ensemble, filled in by part-time jammers Larry Joseloff on bass, Paul Grepps on keyboard, Nathan Graham on drums, Lizzy Friel on backing vocals and Kadlecik’s wife Katie Gaughn on percussion, is perfectly suited to give the guitarist the room he needs to ply his trade in the spotlight.

With a tip of the hat to one of the city’s most famous transplanted residents, the set started with the late-era Lennon world weary jingle, Nobody Told Me. It was a quick start, setting the mood for the familiar yet slightly tweaked grooves that would fill the perfumed club air for the next couple hours. Dipping into his solo repertoire for the next two tunes, Kadlecik showcased his vocal talents. While critics might say his voice lacks distinct elements that would make it instantly recognizable, there is no denying the raw emotion and power that he conveys in song. He serves the material and he does it well. A welcomed Phish cover, The Wedge, barreled through next and clearly the crowd delighted in the familiar refrains and the dance-happy boogie. To be sure, the band itself had a palatable Phish-feel all night. A four-piece with additional percussion, Kadlecik handles rhythm and lead guitar, à la Trey, and the Joseloff’s jaunty bass lines are not unlike Mike Gordon’s work. What followed was a couple of little known Robert Hunter penned gems, American Spring and It’s Alright. By way of introduction, Kadlecik noted that the songs were “probably the heaviest lyrics Hunter has written in the last ten years.” Who could disagree, really? While the Bard’s words still hung in the air, the opening riff from Stir it Up signaled a new gear, shifting the load right into the Motown classic (and Primal Dead stalwart) Second That Emotion. Tight and practiced, Kadlecik clearly reveled in calling the musical shots. The crowd was amped, to say the least. Let’s face it, when the guy in front of you is wearing a Hot Tuna jean jacket you pretty much know you are in for a real good time.

With the Jimmy Cliff classic (oh, yeah, and Jerry Band staple) Harder They Come kicking off the second set the jam was on. With plenty of road for exploration, Kadlecik took the wheel. While some might ponder the existential consequences of a guy sometimes referred to as “Fake Jerry” covering a song in the same manner that The Man himself covered it, the dancing bones and happy souls at Sullivan Hall didn’t tumble down that particular wormhole. When the oft-derided Vince Welnick late-Dead era song Long Way To Go Home followed it up, no one batted an eye. It is clear that Kadlecik embraces his place in the expansive Grateful Dead universe and pays proper homage to the entire cannon. With a tight curfew (another band was on at midnight, Kadlecik himself said as he packed up his own gear), the back-end of the second set featured the Hunter/Garcia classic They Love Each Other followed by a largely instrumental medley that culminated in an aching Sing Me Back Home, Merle Haggard’s plaintive tribute to the humanity of a condemned man. Well, Johnny K nailed it and in doing so he couldn’t help but to bring to mind the early 70’s versions of the ballad that every deadhead knows by rote.
With Furthur rolling again at the beginning of April, it’s not known how much care or attention The John K Band will receive this year. If it does remain a side-project though, at least it’s a worthwhile one.

John K Band setlist, 2-11-12, Sullivan Hall, NYC
Set 1: Nobody Told Me, What’s Become of Mary, Sister Smiles, The Wedge, American Spring, Its Alright, Stir It Up, 2nd That Emotion


Set 2: Harder They Come, Way to Go Home, Seen Love, The Business, They Love Each Other, Desert Trance>YMMV>Sing Me Back Home

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Grateful Dead’s website is holding a “Dead Covers Project” contest featuring videos of Grateful Dead cover bands performing the song of the Grateful Dead with fans voting on their favorites and Southern California’s Grateful Dead experience, CUBENSIS is sitting at No. 2 out of over a 1000 submissions.  Their video of “Sugaree” shot by Tibor Grunsfeld and Lance Watsky at The Lighthouse in Hermosa Beach, CA needs your votes.

Go to www.dead.net and vote!  Here’s the video for your viewing pleasure.

 

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MADISON HOUSE PRESENTS AND INSOMNIAC PRESENT

ELECTRIC FOREST 2012: JUNE 28-JULY 1
DOUBLE JJ RANCH
ROTHBURY, MICHIGAN

TICKETS ON SALE NOW AT
WWW.ELECTRICFORESTFESTIVAL.COM

Electric Forest – returning June 28-July 1, 2012 to the beloved Double JJ Ranch in Rothbury, Michigan – today announces its artist lineup. Tickets are available now at www.electricforestfestival.com.

Live music pioneers The String Cheese Incident (3 performances), Bassnectar and STS9 (2 performances) will top the bill at Electric Forest 2012. Also on the bill are Thievery Corporation, Girl Talk, Santigold, Steve Aoki, Ghostland Observatory, Richie Hawtin, Major Lazer, Big Gigantic, The Travelin’ McCourys featuring Keller Williams and many more. The complete list of currently confirmed artists is included below.

Electric Forest 2012 also introduces special curated events at this year’s festival. Working with such esteemed partners as ESL Music, Dim Mak, Check Yo Ponytail and Paxahau, look for events within the event to be hosted at the Tripolee, Forest and Wagon Wheel stages throughout the weekend. Visit the www.electricforestfestival.com for details as they become available.

Named among Paste Magazine’s 2011 list of “Top 10 Most Intriguing Inaugural Music Festivals,” last year’s Electric Forest helped propel the U.S. festival scene into a brave new era of music and camping festivals – offering incomparable VIP experiences, unique festival site features and amenities with astonishing and unparalleled integration of music and art.

Electric Forest’s unrivaled GOOD LIFE VIP experience boasts something for all budgets and tastes, from camping and RV spots, to log cabins and homes, to resort hotel-style suites – all located on the festival grounds. Visit www.electricforestfestival.com for GOOD LIFE options and details. The festival’s exclusive site – at the one-of-a-kind Double JJ Resort – offers trails, forests, fields, lakes and beachfronts, and even on-site lodging, bars and eateries. In addition, Electric Forest patrons can take advantage of the resort’s many amenities including a 60,000 square foot indoor water park, an 18-hole championship golf course, swimming pools, horseback riding, and more. At the heart of the festival, the mind-blowing Sherwood Forest offers state-of-the-art, jaw-dropping light displays, intricate and earthy artful touches, and everything in between.

Also today, Electric Forest 2012 announces two local philanthropic initiatives: Electric Forest’s Roy Price Memorial Food Drive, and the festival’s Music in Schools Program. Electric Forest’s annual Food Drive returns this year as a tribute to cherished Electric Forest neighbor, the late Mr. Roy Price. “Mr. Price and his wife offered us amazing support during last year’s Food Drive,” explains Electric Forest Producer Jeremy Stein. “They worked closely with our food drive partners, Conscious Alliance, to help ensure that the 9300 lbs. of food donated by festival attendees was distributed to those in the local community who were in most need. Mr. Price will be missed, and we’ll host this year’s Food Drive in his honor.”

Electric Forest’s Music in Schools Program is partnering with Shelby High School and Montague Area Public Schools in Michigan to help support music education in local area public schools. Electric Forest will donate funds and/or musical instruments to these music programs to help ensure that today’s youth have the opportunity to learn about music in school. In addition, young musicians from both schools will be onsite to shadow industry professionals and to perform at Electric Forest 2012.

For ongoing updates:
www.electricforestfestival.com
Facebook: www.facebook.com/ElectricForest
Twitter: @Electric_Forest
You Tube: www.youtube.com/user/TheElectricForest

Electric Forest is produced by Madison House Presents and Insomniac.

Electric Forest’s list of confirmed 2012 performers is as follows:

The String Cheese Incident (3 Shows)
Bassnectar
STS9 (2 Shows)
Thievery Corporation
Girl Talk
Santigold
Steve Aoki
Ghostland Observatory
Richie Hawtin
Wolfgang Gartner
Major Lazer
The Travelin’ McCourys featuring Keller Williams
Dada Life
Big Gigantic
Datsik
Zeds Dead
Rob Garza (Of Thievery Corporation)
12th Planet
Borgore
Ivan Neville’s Dumpstaphunk
Midnite
MiMoSA
EOTO
Das Racist
Reggie Watts
Paper Diamond
Felix Cartal
Gary Clark Jr.
Balkan Beat Box
Big Freedia
Nit GriT
The Infamous Stringdusters
Nickodemus
Chali 2na & the House of Vibe
Alvin Risk
The Soul Rebels
See-I
Glass Candy
Battles
Gramatik
Elephant Revival
Ursula 1000
Minnesota
Nobody Beats The Drum
Congo Sanchez
Fruit Bats
The M Machine
Chromatics
Pictureplane
AutoErotique
Nathaniel Rateliff
Adventure Club
Afrolicious
Virtual Boy
The Funk Ark
Franki Chan
Brothers Past
Crizzly
HOTTUB
Zoogma
Cherub
Frank Mitchell Jr.
The Knocks
Vau de Vire Society
Morning Teleportation
DrFameus
Robert Rich
Quixotic
Chuck Flask & Keith Kemp
DJ SOLO
Ataxia
The Crane Wives
Secrets
WALA
Human Agency

And Featuring These Curated Events:
ESL Music at Tripolee
Dim Mak at Tripolee
Check Yo Ponytail at Tripolee
Paxahau at the Forest Stage and Wagon Wheel

With more to be announced…

Tickets on sale now at www.electricforestfestival.com and at 1-888- 512-SHOW (Open Mon-Sat 9am-9pm CST).

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Rebirth of Landmark Roots Music Venue Marks a New Chapter for

San Francisco Bay Area Treasure Founded Nearly 25 Years Ago

The much-anticipated Sweetwater Music Hall – a community gathering place and live music venue dedicated to bringing back the Sweetwater’s musical legacy to Mill Valley – is set for a soft opening this January. The opening of Sweetwater Music Hall marks a rebirth of the landmark roots music venue and Bay Area treasure founded by original owner Jeanie Patterson nearly 25 years ago.

A local venture that will be comprised of multiple investors including Bob Weir (Grateful Dead, Furthur) and other longtime supporters of Patterson’s club, the Sweetwater Music Hall is a state-of-the-art nightclub and café that will not only present nationally recognized top-quality entertainment but also will provide a comfortable home venue for local and emerging talent to perform and experiment. Through its intimate setting, the club is designed to be both a neighborhood hangout as well as a world-class entertainment destination employing cutting-edge Meyer Sound and streaming video technology capable of bringing exceptional live events to broader audiences.

“For years, the Sweetwater was the place many of us local and visiting musicians headed to when we were looking to play for fun,” said Weir. “Well, our clubhouse is back – and it belongs to all of us. Woo hoo – Mill Valley finally has its playpen back! Here we go…”

Located in the Masonic Hall at 19 Corte Madera Avenue in Mill Valley, the Sweetwater Music Hall will offer food, drinks and live music for all ages, including national and local headline musical acts; Open Mic Mondays with Marin County keys player Austin DeLone; as well as other types of performances and private events. The club also will offer residencies and master classes with accomplished artists beginning on opening weekend.

In addition to entertainment, the Sweetwater Music Hall will include a full-service restaurant and on-site catering led by renowned chef-restaurateur Gordon Drysdale (Pizza Antica, Café de Amis), who will offer artfully crafted, fresh, locally sourced and organic fare. At the soft-service café, initial orders will be taken at the counter and served by staff; subsequent orders may be placed tableside. While initially focusing on evening and happy hour fare, it is expected that by spring the Sweetwater will introduce breakfast and lunch, patio dining and musical Sunday Brunches featuring fresh-squeezed juices and super-premium coffee from Stumptown Coffee Roasters.

Over its nearly 25-year history, the original Sweetwater hosted performances by artists including Weir, Carlos Santana, Clarence Clemons, Elvis Costello, Gregg Allman, Huey Lewis, Jerry Garcia, Maria Muldaur, Sammy Hagar, Richie Havens and many other musical luminaries. In 1992, BBC Television shot a documentary at the club featuring Bonnie Raitt, John Lee Hooker and Ry Cooder. That same year, Hot Tuna recorded two live albums at the Sweetwater. The new club intends to carry on this storied tradition.

Sweetwater Music Hall’s Live Music Calendar

Sweetwater Music Hall’s opening month includes outstanding musical collaborations; guitar-slinging rock ‘n roll; old-school funk, Latin, reggae and R&B; global funk; acclaimed singer-songwriters; fun for the whole family; and the return of a rollicking community favorite, including:

Friday, January 27: The Outlaws

Born to the blue-collar port city of Tampa, Florida, in the early 1970s, The Outlaws established themselves as premiere players in the phenomenon that came to be known as Southern Rock. Driven by the band’s high-powered, guitar-driven country-rock and three-part harmony, The Outlaws’ earliest hits include their AOR classic, “Green Grass and High Tides,” as well as “There Goes Another Love Song.” The band’s 1980 cover of “(Ghost) Riders in the Sky” was their biggest single chart success, reaching #31 on the Billboard Pop Singles chart. Today, The Outlaws are at the threshold of a new era, with original singer/songwriter/guitarist Henry Paul and original drummer/songwriter Monte Yoho, Chris Anderson, Billy Crain, Randy Threet and Dave Robbins. Doors at 7 p.m., show at 8 p.m. Tickets: $31.50

Saturday & Sunday, January 28 & 29: Steve Kimock plus Special Guests

Steve Kimock is widely regarded as the quintessential musician’s musician. For nearly four decades, Kimock has been inspiring music fans with his transcendent guitar speak. While one can say that his genre is rock, no one niche has ever confined him. Instead, through the years, he’s explored various sounds and styles based on what’s moved him at the time, whether it’s blues or jazz; funk or folk; psychedelic or boogie; traditional American or world fusion. Every Kimock show is a fresh exploration of expansive jams and euphoric grooves — and whenever this master collaborator with deep Bay Area musical roots comes to town, magic is in the air. Doors at 8 p.m., show at 9 p.m. Tickets: $40 in advance; $42 at the door

Sunday, January 29: Master Class with Steve Kimock

Bring your guitar and get ready for a rare opportunity to learn guitar technique from Steve Kimock in an intimate setting. Participate in hands-on instruction as the prolific guitar master discusses his approach to the instrument and some of the theory behind his technique. Limited seats are available for this very special event! Doors at 1 p.m., master class at 2 p.m. Tickets: $67 in advance; $77 at the door

Monday, January 30: Open Mic Monday

A much-cherished Sweetwater tradition is back! Open Mic Monday returns to downtown Mill Valley at the Sweetwater Music Hall, hosted by Austin deLone. To sign up, email openmic@swmh.com on Mondays after 3 p.m. Doors at 7 p.m., show at 8 p.m.

Monday, February 6: Open Mic Monday

To sign up, email openmic@swmh.com on Mondays after 3 p.m. Doors at 7 p.m., show at 8 p.m.

Wednesday, February 8: “Wednesday Night Live” with Mark Karan and Special Guests

Best known for performing with the extended Grateful Dead family, Mark Karan’s soulful blues-based vocal stylings and inspired guitar work hit that sweet spot where rock meets R&B and country, then is blended with the soul of New Orleans and spiked with reggae, folk, funk and whatever else the muse might bring. At “Wednesday Night Live,” Karan will explore new material and approaches with drummer Dave Brogan (ALO); bassist Joe Kyle, Jr. (The Waybacks); Danny Eisenberg on keys (Mother Hips, Ryan Adams); drummer Billy Lee Lewis (Tommy Castro, Roy Rogers, Jemimah Puddleduck); new friends Robert Powell and David Phillips on guitars, pedal steel and dobro; and surprise guests. Doors at 7 p.m., show at 8 p.m. Tickets: $8 in advance, $10 at the door

Sunday, February 12: YouthRock the Rebuild

Youth musicians from YouthRock the Rebuild (YRR) will host a concert to celebrate the return of Sweetwater Music Hall. The fun family event will include performances by Marin-based youth bands and vocalists. As a service organization, YRR is committed to raising money to support important causes. Proceeds from this concert will be donated to Kiddo! to help keep music and the arts as an integral part of our schools. Doors at 4 p.m., show at 5 p.m. Tickets: $15 in advance, $20 at the door

Monday, February 13: Open Mic Monday

To sign up, email openmic@swmh.com on Mondays after 3 p.m. Doors at 7 p.m., show at 8 p.m.

Friday, February 17: The 21st Annual Mardi Gras Mambofest with Rhythmtown-Jive and Special Guest Bonnie Hayes

A special Louisiana musical package of original music and selected covers of New Orleans R&B, funk, swamp-pop and marching brass tunes by a top-tier dance combo of Bay Area players who have worked with the likes of Earl King, Frankie Ford, Dr. John, Zigaboo Modeliste and Leo Nocentelli of The Meters, Lee Allen, La Vern Baker, Queen Ida, Sly & The Family Stone, Allen Toussaint, Commander Cody, Jesse Colin Young and Boz Scaggs, to name a few. Featuring: Tim Eschliman (vocals, bass), Ken “Snakebite” Jacobs (bari-sax), Mike Rinta (trombone), Michael Peloquin (tenor sax, harp), Kevin Zuffi (piano), Jimmy Sanchez (drums), and special guest Bonnie Hayes (vocals, keys). Doors at 8 p.m., show at 9 p.m. Tickets: $15 in advance, $17 at the door

Saturday, February 18: Dan Bern with Common Rotation

Singer-songwriter Dan Bern is joined by friends and collaborators Common Rotation for a special West Coast tour stop at the Sweetwater Music Hall. While Bern’s musical tales receive comparisons to those of Bob Dylan and Woody Guthrie, most recently Bern has focused much of his talent and sharp wit on writing songs for movies and other projects. He composed songs for the Jake Kasdan/Judd Apatow spoof Walk Hard: The Dewey Cox Story, starring John C. Reilly, as well as for Apatow’s Get Him to the Greek, starring Russell Brand and Jonah Hill. L.A.-based Common Rotation’s modern folk-rock features a melodic blend of acoustic guitar, trumpet, banjo, harmonica and cajon. Doors at 8 p.m., show at 9 p.m. Tickets: $22 in advance, $24 at the door

Monday, February 20: Open Mic Monday

To sign up, email openmic@swmh.com on Mondays after 3 p.m. Doors at 7 p.m., show at 8 p.m.

Wednesday, February 22: “Wednesday Night Live” with Mark Karan and Special Guests

Ace axe man/signer Mark Karan (RatDog, Jemimah Puddleduck) explores new material and approaches with drummer Dave Brogan (ALO); bassist Joe Kyle, Jr. (The Waybacks); Danny Eisenberg on keys (Mother Hips, Ryan Adams); drummer Billy Lee Lewis (Tommy Castro, Roy Rogers, Jemimah Puddleduck); new friends Robert Powell and David Phillips on guitars, pedal steel and dobro; and surprise guests. Doors at 7 p.m., show at 8 p.m. Tickets: $8 in advance, $10 at the door

Saturday, February 25: Vinyl

Marin County’s favorite funky sons, Vinyl is the rare sort of band that can meld funk, Latin jazz, dub and reggae without coming across as pale imitators of the style of the moment. Instead, Vinyl can alternately sound like the best live funk, Latin, reggae or dub band you’ve heard in ages — and occasionally, all at the same time. Instead of going for flash or gimmicks, Vinyl brings it with fierce musicianship and zesty abandon, proving you can have both substance and style. It’s an approach that has made the band favorites of the festival circuit, but the best place to experience them is on the dance floor of a hot, sweaty indoor venue. Doors at 8 p.m., show at 9 p.m. Tickets: $15 in advance, $17 at the door

The Venue
The first floor of the 107-year-old Masonic Lodge No. 356 in Mill Valley underwent an extensive renovation and has been transformed into a live music venue and café evoking the deconstructed elegance of a grand old home. Arriving at Sweetwater Music Hall, guests will walk through a courtyard and enter the café through four black French doors flanked by two courtyard lanterns. The café features an open kitchen and espresso bar, with classic French bistro tables and café chairs as well as a U-shaped pistachio-hued banquette. Walls dressed in exposed brick and warm camel color frame the space, while three chandeliers hang languidly from the high ceiling.

Moving into the music hall, guests are welcomed by an inviting ambience marked by a blend of comfort, rawness, beautiful touches and hidden acoustics. Guests may choose between standing room or seating options that include a long deep burgundy velvet and leather-tufted banquette; cocktail tables and chairs in black and brass; generously sized drink ledges that double as seating; and at the back bar, elevated seating that provides great sight lines across the music hall. Walls cloaked in antiqued burlap wallpaper with stenciled gold transition seamlessly to the coved ceiling, which reveals exposed wood joist and pin-spot lighting at its center. Sound panels are fashioned as decorative wall panels, while Moroccan wall sconces, black casework and black drapery accent the space throughout. Those who frequented the original Sweetwater venue may notice two memorable pieces of artwork: two much-loved mermaid paintings that have been retrieved for display at Sweetwater Music Hall.

Sweetwater Music Hall supports the San Francisco Bay Area Musicians Fund, the regional chapter of Sweet Relief Musicians Fund. A portion of all ticket sales will be donated to the non-profit charity organization, which provides financial assistance to all types of career musicians who are struggling to make ends meet while facing illness, disability or age-related problems.

Tickets for all shows will be available at http://sweetwatermusichall.inticketing.com.

For bookings, please contact General Manager KR Holt at booking@swmh.com or info@swmh.com.

For more information, please call (415) 388-3850 or visit www.sweetwatermusichall.com or the Sweetwater Music Hall’s Facebook page at: www.facebook.com/pages/Sweetwater-Music-Hall/174766919255146

Sweetwater Music Hall
19 Corte Madera Ave

Mill Valley, CA 94941

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The Chinese calendar calls 2012 the year of the Dragon.  The Mayans claim it’s the end of the world.  Southern California jam-rock band, Quactus has adopted 2012 as “The Year of the Quack” and will kick off this years show schedule at TRiP bar in Santa Monica, CA on January 21st with Shaky Feelin’ and Curtis.  Returning to Quactus in 2012 is original keyboard player Mike Russeck and taking a permanent position on percussion is Keith Erickson.  The addition of two additional members is rounding out the sound of the band and giving them a fuller and certainly louder sound.

Quactus @ Saint Rock  Photo by Courney Goebel

Quactus ended the 2011 with a blow-out party that kicked up the sand in Hermosa Beach, CA on December 2nd with Electronica legends, Particle at Saint Rocke.  If that show was any precursor to what is to come, then I look forward to a quack-tastic 2012.

Quactus dates upcoming:

January 21, 2012- Quactus/Shaky Feelin’/Curtis- TRiP Bar, Santa Monica, CA

January 28, 2012- Quactus/Moksha- Phoenix, AZ- The Compound Grill

January 29, 2012- Quactus- Prescott, AZ- The Patio at Coyote Joe’s

February 17, 2012- Quactus/The Maykers/Shaky Feelin’- Santa Barbara, CA, Whiskey Richards

February 23, 2012- Quactus- Santa Monica, CA- Basement Tavern

More Dates to be announced soon…

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Well, the list is out and, well, we’re not that thrilled.  The jamband community always seems to get the shaft when Coachella is picking acts.  Not to mention, a few months ago the town council in La Quinta was mounting a concerted effort to stop the huge 3-day festival from even happening this year.

Now that we’ve got that out of the way…what do you think?
Coachella 2012 Line-Up

 

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Chris and Daniel at the Saint Rocke
Appearing Every Thursday evening in January 2012 at 6pm. FREE
Chris and Daniel

Photo by Gloria J. Vesely

While not technically a “jam band” Chris and Daniel at the Saint Rocke  are definitely treat on the ears and there is always something going on fun on stage. My experience with a brother was more your classic sibling rivalry, but these two brothers from Huntington Beach definitely demonstrate some brotherly love in their unique take on a truly eclectic setlist.

The two Brothers (Daniel Slama – Guitar and Vocals) (Chris Slama – Guitar and Vocals) have been performing together for about 6 years and it really shows. From David Bowie to Van Morrison and The Grateful Dead their interpretations are very cool and their harmonies are on the mark. Daniel’s singing is soulful and gritty and Chris’ harmony creates a really nice tone. They play strictly acoustic but use a variety of effects to give their sound a lot of dynamincs. Thing get really spacy when Chris starts Ebowing!

In particular I thought that their rendition of David Bowie’s “Space Oddity” and a crazy rockin’  version of the Sesame Street theme song stood out. The latter is one of those songs that I NEVER expected to see a band play, let alone make it groove.

Photo by Gloria J. Vesely

This is a FREE cocktail hour show and the Saint Rocke is known for great drinks and great food so I recommend doing BOTH while you are there. In particular be sure to try the delicious flat-bread pizza!

This in mind…if your in the Hermosa Beach area any Thursdays this month..this is a good time and it’s free.

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KW Bass

Keller Williams, the musical gecko, has once again changed colors with his latest release this week, BASS.  On his current musical offering, Keller steps back behind the bass guitar on the whole album showing off more of his prolific talents as a music man.  With an overtone of the whimsical and lighthearted Keller you’re used to mixed with a funk-a-delicious delicacy served up Keller style.  If you like funky, reggae, jazzy, psychedelic, weird and funny…you’ll LOVE this album.

Bass is the first album to be recorded with Keller’s live reggae-funk band Kdubalicious.  Formed in late 2010, in addition to Keller on bass and vocals, the group features Jay Starling on keyboards and Mark D on drums

We got our hands on a copy of BASS and sat down with knife and fork to devour the main course bite by bite.

First up, “The Sun and the Moon’s Vangenda,” comes out of the gate with a light airy lilt as if to ease you into this new sound from Keller and his back up band, Kdubalicious.  “Sun and Moon” will lift you up with a breezy piano line while keeping you rooted with Keller’s bass.  Even the jam gives you the feeling that while the breeze may have picked up but you are safely drifting along on a Keller cloud.

Next track, “2 b u” will take you down to the islands, mon, with a reggae jazz funk.  Pushing you a bit further into the land of Williams with an occasional bass punch-line.

“Hey Ho Jorge” slips you even more into the Keller Williams rabbit hole as you chase his 70′s funk bass lines and heavy wah guitar.  The “I eat the funk” hook will resonate in your brain as you slow bounce along.

“I am Elvis” takes you on a musical journey into Keller’s mind as he orates on the wild thoughts going through his mind as the music evokes a Jimmy Buffett beach music feel.  All the while reminding you that you’re still in Keller’s world…we’re just along for the ride.

Track 5, “Hollywood Freaks,” makes you feel like you’ve stepped onto the set of an old Black Exploitation film with heavy snare pops, a funky bass line and the thought that at any moment Shaft might come out shooting up the place  or a 70′s porn star might start doing something that is def. not suitable for a younger audience.  Obviously musically trying to show the dirtier side of Hollywood, Keller does so wonderfully.

“Thinking” will bend your brain sideways with a reggae beat as Keller takes you on a distorted musical observation of what could only be the perspective of someone slightly “altered” in the audience.

“High” is a love song on top but beneath is a varied bass line that shows of some of Keller’s tasty base lines with tempo changes and true funked out mini-jams.

“Buena” keeps you in that slow funk zone.

“Super Hot” gives you what you expect from Keller…funny lyrics ala “Freaker By The Speaker.”  The, can’t help but sing along, hook, “for every hot girl in the front row, there’s a super insecure dude standing behind her…” reminds you why you love Keller…he’s a funny guy!

“Hobo Jungle” keeps you on the familiar Keller train with regular stops at funny station and bouncing beat junction all peppered with a jazz high hat and occasional funk bass.  An excellent blend of the Keller we know and love with the funked up KDubalicious sound.  “I won’t tell you honey, what your mama does for money…”  Classic!

Capping it all off is “Positive.”  Dipping way down into the reggae bag…and we’re not just talking musically (irie, mon), “Positive” lands you safely back down on terra firma a little weirder than when you left and probably feeling a much higher than when you pressed play on track one.  BASS is best served chilled with a side of greens and a glass of something islandy!

Look for Keller on tour in 2012 in any of his various incarnations, including his newest collaboration – The Travelin’ McCourys Featuring Keller Williams – which debuted this fall at Magnolia Fest, Voodoo Music Festival, and others. Brought together by equal parts mutual admiration and the desire to change the musical landscape while staying true to their roots, The Travelin’ McCourys Featuring Keller Williams are a perfect – albeit unexpected – fit. The two have a lot in common after all: their high energy, ever-evolving live shows, their individual playing prowess, and their strong and unique song writing skills. It’s a perfect marriage of instrumental virtuosos, memorable songwriting, infectious musical camaraderie, and undeniable energy. And with both acts known to bring epic and spontaneous live collaborations to theaters and festivals across America – The Travelin’ McCourys Featuring Keller Williams take this collaborative spirit one step further, bringing something fresh and unexpected to the live stage. The first 2012 dates are announced today – a spring run in the mountains of Colorado (April 12, 13 and 14) – with more dates to be announced in the coming months.

Visit kellerwilliams.net for information and tickets.

The current list of confirmed dates is as follows:
Wednesday, December 28 Lincoln Theatre Raleigh NC KIDS Matinee
Wednesday, December 28 Lincoln Theatre Raleigh NC with Kdubalicious
Thursday, December 29 The National Richmond VA KIDS Matinee
Thursday, December 29 The National Richmond VA with The Pimps of Joytime and Kdubalicious
Friday, December 30 The Norva Norfolk VA KIDS Matinee
Friday, December 30 The Norva Norfolk VA with The Pimps of Joytime and Kdubalicious
Saturday, December 31 Brooklyn Performing Arts Center Wilmington NC Keller and the Keels and Kdubalicious
Monday, January 9 – Thursday, January 12 Jam Cruise 10 Fort Lauderdale FL Keller and The Keels
Friday, January 13 The Abbey Bar at ABC Harrisburg PA
Saturday, January 14 Mr. Smalls Theatre Millvale PA
Tuesday, January 17 New York Guitar Festival New York NY
Thursday, January 19 Harlow’s Sacramento CA
Friday, January 20 Arcata Theatre Arcata CA
Saturday, January 21 Great American Music Hall San Francisco CA KIDS Matinee
Saturday, January 21 Great American Music Hall San Francisco CA
Sunday, January 22 Mystic Theatre Petaluma CA
Wednesday, February 1 SLO Brewing Co San Luis Obispo CA
Thursday, February 2 Coach House San Juan Capistrano CA
Friday, February 3 Belly Up Tavern Solana Beach CA
Saturday, February 4 Club Nokia @ LA Live Los Angeles CA with moe.
Friday, February 17 Ziggy’s Winston Salem NC
Saturday, February 18 Orange Peel Asheville NC
Wednesday, March 14 – Saturday, March 17 Jam in the ‘Dam, The Melkweg Amsterdam NL
Friday, April 6 Belly Up Aspen Aspen CO
Thursday, April 12 Aggie Theatre Fort Collins CO The Travelin’ McCourys Featuring Keller Williams
Friday, April 13 Boulder Theater Boulder CO The Travelin’ McCourys Featuring Keller Williams with Head for the Hills supporting
Saturday, April 14 Ogden Theatre Denver CO The Travelin’ McCourys Featuring Keller Williams
Sunday, April 15 McDowell Mountain Music Festival Phoenix AZ The Travelin’ McCourys Featuring Keller Williams
Tuesday, July 3 Lake Superior Big Top Chautauqua Washburn WI The Travelin’ McCourys Featuring Keller Williams

Look for Keller Williams’ complete list of fall tour dates at kellerwilliams.net.

kellerwilliams.net
www.facebook.com/kellerwilliams
twitter.com/#!/KellerMusician

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Mickey Hart w/ Bill Walton

Mickey Hart and Bill Walton

What could be better than catching the Mickey Hart Band at an intimate venue with a capacity of 600 people? How about adding to the bill some impressive guests like NBA Hall of Famer and Sports Commentator, Bill Walton and Widespread Panic’s “bass mountain” Dave Schools. Thus was the case on a chilly Southern California night in Solana Beach, CA at the Belly Up Tavern and the San Diego adjacent crowd was delivered a gift wrapped early Christmas present in the form of an incredible night of music from Mickey and company.

Dave Schools

Widespread Panic’s Dave Schools

Dave Schools, regular rhythm man for Southern Rockin’ Widespread Panic was billed as a special guest and it was expected that Walton would be in the building given his home is in San Diego and he and Hart are close friends. In fact, Walton has one of the original “beams” in his rec room at home. But seeing Walton take an active participation in the evenings music from the get go was a nice addition to the evening’s musical journey.

Mickey Hart Band

Mickey Hart Band at Belly Up Tavern, Solana Beach, CA

From note one of Aiko Aiko, the first song of the night, Walton’s 7′ plus frame found it’s way up on stage behind Hart’s beast of a drum rig. Walton pounded out the beats on a variety of drums with Hart before making his way over to the other side of the stage to keep the rhythm with Schools. This would set the tone for an evening of reappearances of Walton on The Other One, Fire on the Mountain and the encore, Not Fade Away.

Mickey Hart’s new band features vocalists Crystal Monee Hall and Tim Hockenberry, bassist Dave Schools, drummer Ian “Inx” Herman, guitarist Gawain Matthews, percussionist Sikuru Adepoju, and keyboardist Ben Yonas. Combine Hall’s soulful and powerful vocals with a less percussion heavy backing band from MHB’s previous incarnations and the new ensemble delivers a delightful mix of the rhythmic sounds we all love from Hart mixed with shredding guitar licks from Matthews for a cornucopia of excellent new sounds. Schools’ addition to the band is nothing but a delight for the non-Dead jam fan delivering the hard driving bass lines he’s known for with WSP.

Belly Up Tavern

There’s something about a big sound in a little venue. I’d rather see a show in a venue like the Belly Up than a large arena or amphitheater. The intimacy of the space puts the audience right in the thick of it and honestly, whether you were front row or standing at the back bar getting a cocktail, you always had the best seat in the house…because just being there was the best seat. As they say in Monster Truck racing, “We’ll sell you the seat, but you’ll only need the edge.” In the case of MHB at the Belly Up, you couldn’t sit down if you wanted to as the feet couldn’t help but dance to the beat of the rhythm machine that is Mickey Hart.

Set 1

Aiko Aiko (w/ Bill Walton)
Let There Be Light
Djinn Djinn
Starlight
The Other One (w/ Bill Walton)
Peaceful Time
Time Never Ends

Set 2
Jam
Slow Jo Rain
Cut The Deck
Brokedown Palace
Supersonic
Who Stole The Show?
Fire on the Mountain (w/ Bill Walton)

Encore

Not Fade Away (w/ Bill Walton)

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